“Oh, we’re visiting because it’s a time like this,” she smiled.

Yep. Almost definitely a Slaughterhouse member.

And that “almost” is only there because while we haven’t heard of any other villain groups coming to town to take advantage of the situation, it’s still plausible that some would, and this could be an elaborate misdirection. I really don’t think it is, though.

“Thrill seeking?” his voice hardened.  “That’s not only stupid, it’s disrespectful.”

Hm, yeah, I suppose it is. It’s like looking at a poor nation’s suffering and going “that sounds fun, I should try that”.

But hey, wasn’t thrill seeking part of how Bonesaw was described in 10.6?

“The people I’m staying with?  They’re the Slaughterhouse Nine.  I’m one of them.”

Woah, way to be super honest all of a sudden!

I kinda love that. “Oh yeah, I forgot to tell you, I’m one of the country’s most feared villains.”

“Well, I’m not about to deny someone their coping mechanisms.  Where do you live, or where did you live, before the attack?”

I have a feeling she didn’t live here in Brockton Bay. If she says that, though, he’s bound to get confused about why she would come here.

“Out of town.”

He raised one eyebrow, but he kept looking out the windows for possible trouble.

Bingo.

I feel like that’s a big point in favor of this being either a surprisingly coherent Bonesaw, or the Newbie (which is a possibility I didn’t think of until now, but also one that seems less likely because of the lyrics). Moving to Brockton Bay right now is pretty worthy of a raised eyebrow from me to if she’s not here to take advantage of the situation like the Slaughterhouse Nine.

He put the key in the ignition and started the car so he could use the windshield wipers.  “Sounds like there’s a story there.  People don’t just come into town at a time like this, and if you were just visiting, you would have evacuated already.”

Oh yeah, I’m sure there’s quite the story here, alright.

She hesitated.  “Fine.”

Lock the doors and close the blinds, we’re going for a ride!

The man led her back to his jeep.  She sat in the passenger seat while he stood outside, his eyes on the surroundings, occasionally exchanging words with the person or people on the other end of his walkie-talkie.

Well, at least he’s finishing up his shift like he said.

After a few minutes, he climbed into the driver’s seat.  “The men who were supposed to take over the watch are late.  Something about fires downtown.”

Oh, shit, is Burnscar at it again?

(I doubt this is taking place at the same time as her Interlude, since things have seemed pretty linear so far.)

She nodded.

Crazed, kooky, cracked, crazy,
Mental, dotty, whacked, loopy…

Back to the music again.

Music which… kinda sounds like foreshadowing about whom we’re going to be dealing with today.

“Do you mind turning off your music?”

“I like it,” she said.  “I hate silence.”

Right there with you. Silence is rather pressing sometimes.

She didn’t reply.  Her brows knit together and she undid her jacket and stepped away from him.

“Don’t mess with my look.”

He went on, “I can give you directions to the nearest shelter if you want. It’s new, just a little ways up Lord street here.  There may be space.”

Would that be the one Tattletale runs? I think so.

“I’m staying with some people.”

“Do you need directions?”

She didn’t reply.  She studied him instead.

Heh. If this is Bonesaw, I think we’ve met most of those “some people” recently.

“If you’re willing to wait, I can give you a ride when I’m done here.  I’ll get relieved in five or ten minutes, but we could talk in the meantime.  You can sit in my jeep, and you’ll be dry.”

Hmm.

This is beginning to toe the line to potentially creepy. Then again, this is the same guy who just shot down the POV character by bringing up the age difference, and I suppose this is a reasonable thing to suggest out of altruism in this situation. It’s just that it kinda seems a bit too persistent at this point?

“I have a daughter about your age,” he replied, smiling tightly.

Heh, yeeah, he might be a bit too old for you.

“That doesn’t answer my question.  Do you think I’m pretty?”  She stepped even closer, ran her finger down his chest.

My mostly unfounded wariness is growing.

“Yes, but-” he paused, gripping both sides of her jacket.  He pulled the jacket together, then did up her zipper all the way to the top, around the heavy box that dangled around her neck.

“Get that cleavage outta my face, temptress.”

Also, this “heavy box” sounds interesting.

“That’s all the more reason for you to be careful, understand?  Do you have a home or a shelter you’re staying at?”

This poor man is just trying to do his job and make sure this teenager he just met gets home safely.

“You think I’m pretty?” She smiled, stepping closer.

(I considered commenting on that sneak compliment.)

Something about this is making me feel more wary of our POV character. Could it be that we’re actually getting Bonesaw’s own POV? I suppose if anyone’s going to break the unwritten rules of how these Interludes work, it’s gonna be the unpredictable one.

I don’t have any solid evidence, though, just a gut feeling based on this one line of dialogue and accompanying narration. The POV character so far seems like a nice enough girl, with the exception of her habit of stealing things.

I guess it’s just that when I read this, I can’t help but picture both the dialogue and the action with a more sinister tone than may have been intended here. I imagine Cinder Fall from RWBY.

“What’s up?”

“Are you okay?”

“I’m excellent.”

That is good to hear 🙂

But what prompted him to ask?

“There’s a curfew during the state of emergency.  I don’t want to scare you too badly, miss, but there’re rape gangs, murderers and human traffickers on the street.

Oh! Well, that’s one point of “this isn’t Amy” negated, but it’s pretty clear by now that she isn’t. 😛

This is the first we’ve heard of this curfew that I can remember, unless Wildbow sneakily sent us into a flashback to Arc 5, but it makes sense with the state of Brockton Bay right now.

Especially since the Protectorate is aware of the Slaughterhouse’s presence. Even if the Wards’ suspicions in Arc 9 were dismissed as just that, the Slaughterhouse Nine have done enough in these Interludes that the PRT definitely knows they’re there by now, and would have a decent idea of it even if they didn’t have Brandish and Glory Girl as witnesses.

All people who would prey on a pretty young woman.”

That is true.

I suppose maybe Bonesaw is causing havoc and the military has been called in to keep civilians away from the danger zone?

Crazed, kooky, cracked, crazy,
Nutty, barmy, mad for me…

At first I thought this might be some sort of power that tells our POV character – who is still nameless, incidentally, maybe we’re setting up for some reveal surrounding her identity – about the people she’s looking at and/or what their mental state is.

But then I realized it’s just the music, unless Wildbow’s awkwardly switching up what italicized paragraphs mean in this chapter. Another love song, too, if I’m not mistaken.

The crooning sounded artificial coming from the earbuds that dangled from her hand, nasal.

Yeah.

It wasn’t as though she was in a rush.

Yeah, this walk has seemed fairly relaxed. It’s a fairly calm scene for now, though I have a feeling that’ll change. Question is just how long it takes before Bonesaw, the Newbie or Hatchet Face gets involved here.

She’d walked long enough for six songs to start and finish before someone stopped her.

Oh, hello.

“Miss.  Miss!”  He was barely audible over her music.

Was she about to walk into the road or an open manhole or something because she was paying too much attention to the music?

She turned and saw a man in military gear, forty-something, his face heavily lined.  He wasn’t wearing a helmet, he had a short buzz cut, a bit of scruff on his cheeks and chin, and his face was beaded with droplets of water.

Hm. Restricted area? Or is this guy working for someone less official, like Coil?

I don’t think this is Hatchet Face.

She pulled out her earbuds.

Especially since we got to the end of that paragraph without any mention of the scars that give him his name.

Love me, you?
Love me, true?

It might just be a quirk of the shuffling and/or of the narration, but it seems whoever this phone belonged to liked love songs a lot.

Her boots splashed as she danced a little circle, murmuring the words.  The light drizzle had wet her hair, and she pushed it back out of her face, stretched her arms out and let the raindrops fall against her closed eyelids.

You, who presume you can stay dry, by
Dodging all the raindrops,
Falling,
Thick,
Try lifting up your tongue
To the rain not just the sun
Nothing quite so simple
Was ever so much fun.