A couple of Labyrinth things: 1) She never said that Burnscar was there for Spitfire, you just assumed that because of the elemental connection and the early focus on Spitfire – Elle was actually looking for her phone to tell the Crew Burnscar was here for her. 2) Her nightmare asylum probably doesn’t reflect reality, given the walls are lined with blades etc.

1) She didn’t explicitly say it, but I believe the early focus on Spitfire – while definitely meant to make the reader believe Burnscar was after her, which it successfully did – reflected Labyrinth being under the same impression. More importantly, Labyrinth’s narration sounded surprised by the realization that Burnscar was after her, like it was a twist. It was a twist to the reader, thanks to the misdirection that was done through the focus of Labyrinth’s narration, Burnscar’s apparent targeting of Spitfire during the combat, and the pattern seemingly established by the previous two Interludes of the Slaughterhouse members seeking out someone they could relate to. If it wasn’t a twist to Labyrinth too, though, why did she react like she did?

It makes more sense for Labyrinth to have seen it coming, but the execution of the twist for the audience makes it seem like she didn’t.

2) Who knows. I mean, sure, it makes a lot of sense for the nightmare asylum to be exaggerated in terms of how bad it is, but in this crapsack world, I could see the real asylum possibly being almost as bad. Maybe not quite at “walls lined with blades” levels, but there’s probably a reason the asylum was such a nightmare for her in the first place, beyond just the mental state she was in when she was there. Also, if I’m not mistaken, Interlude 5 had Gregor describing the Crew as “rescuing” Labyrinth from the asylum, further suggesting it wasn’t all that great.

Regarding your theories about trigger events, I think you might be thinking too literally or directly about it. Taylor didn’t get a power to help her escape the locker, but one that (attempted to) deal with the real, underlying problem: her loneliness. She had no friends, nobody to help her; now she has lots of friends! (What do you mean insects aren’t friends? They do what she says, right? What’s the difference?)

Yeah, this is pretty much how I’d interpreted that specific event, though I hadn’t tied it to her general loneliness, but rather her isolation in the moment. This goes back to the days before the dandelions were introduced, when I was theorizing that trigger events involved the body reacting to something by reaching far beyond its normal capabilities – in Taylor’s case, her brain reacting to the locker isolating her from the world by reaching out to the bugs within range.

I do suppose you have a point in that maybe I’ve been a bit too superficial with my takes on how this could work for others.

You haven’t seen Avatar: the Last Airbender? …I think I smell a future liveblog…

I have seen… a little under half, I think, of the first season. I also know a fair amount of spoilers for later on.

I do think I might return to it someday, but I don’t think I’ll be liveblogging it, sorry. I’d prefer to do something I can start from the beginning with, and it’d take a long time before I’d get to A:TLA, and I’d probably want to watch the rest of it before that.

I’m probably best off focusing on Worm for now, its sequel afterwards (perhaps with something in-between as a break from the Wormverse, like how Minda did Paranatural between the first three MS Paint Adventures and Homestuck), and then we might start thinking about what’ll follow. By then, I’d imagine lots of new and interesting stuff will have come out, too.

krixwell-liveblogs: TROLL CALL! A bit of context for my non-Homestuck readers: As a promo and way of maintaining hype for Hiveswap: Act 2, What Pumpkin spent a while publishing weekly “troll call” posts presenting new characters in cards like the one I made for Armmaster above. In them, there was a running gag that characters would […]

End of Interlude 11d

Oh, Colin.

That was another fun ride! We got to meet Mannequin, who has an interesting backstory and a kind of whimsical body that… actually doesn’t have anything to do with the main focus of his tinker power. It seems like, in theory, almost any tinker might be able to do something like what he did, if they were mad enough to do it.

Honestly more interesting than Mannequin himself, though, was Vriska, our POV character for the day. We didn’t really learn much new about him, really, though we got reinforcement of the idea that he isn’t all about his reputation. He does try to help people. Maybe the focus on reputation came second, after some time as a bigshot hero?

On top of an awesome but insanely stupid display of his reckless, wrathful side against an enemy who claimed they were alike, we also got some delicious development for the Dragonmaster ship. I’m a little disappointed that we didn’t get to see Vriska’s reaction to Dragon revealing her true nature, but I recognize that ending the chapter like that is good writing. For now, I’ll trust Vriska to be good enough that it went over better than Dragon had feared.

So yeah! That was fun. See you next time!

…

…

…potential romantic relationship with a character associated with drAGONS MISTER COLIN SERKET YOU COME BACK HERE RIGHT NOW AND EXPLAIN YOURSELF–

He was about to apologize when Dragon said, “Those prosthetics I gave you?  They were part of a bigger project.  Something I’d intended to use for myself.”

…

She was trying to make herself a body. A human-like body.

And she’s taking this opportunity to tell the truth about what she is, isn’t she?

I’m sorry, Dragon. I underestimated you.

She was a cripple?  He’d known she had survived Leviathan’s attack on Newfoundland, was it such a surprise that she’d gotten hurt then?

I suppose this is a quite reasonable first guess at what she’s talking about.

It would explain her aversion to showing her face.  One of the things she’d given him was a facial prosthetic.

True.

“I’m sorry,” he said, “I didn’t know.”

“No, it’s not that,” she paused.  “There’s something you need to know about me.”

This is a big moment in their relationship and I hope we’re not about to cut it off before Armmaster’s reaction.

*scrolls down to see chapter navigation*

“Shit.  He probably could,” Colin conceded.

Yeeah.

He stared at the photo for several long seconds, then turned away.

Hoping to inject some levity into the grim conversation, he smiled and asked her, “What was this I heard when I was passing out?  ‘I need you’?”

Hehe, nice.

The silence stretched on for so long that he knew he’d made some faux pas.

But then there’s Dragon’s hangups regarding her virtuality and romance. She can’t bring herself to elaborate because she knows where it would lead and she doesn’t trust her emotions to be real and she doesn’t think Armmaster could truly love her if he found out what she is.

…yeah. No wonder the attempt at levity didn’t land.

He just wasn’t sure what.  Stupid.  This was the kind of thing that had cost him his position, started the dominoes falling in such a way that they’d led him to being prisoner in that room, led to him being an easy target for Mannequin, to him being here, in this bed.

Hm, yeah, I suppose it was in part the informality that caused it. Mostly Colin overreacting to his demotion by attempting to go out, or prove himself, in a moment of true glory, but in part the informality that caused the demotion.

Never knowing what to say, or how to say it, or who to say it to.

To be fair, that’s very relatable.